Professor Sarah Glennie ∙ Director

NCAD WORKS 2024 provides a portal to the full breadth of work by our extraordinary graduates from across our four schools of Fine Art, Design, Education, and Visual Culture and encompasses students graduating from our broad range of undergraduate, postgraduate, and CEAD programmes. 

Collectively, our graduates represent Ireland’s creative future, and they each hold great potential to play a dynamic and impactful role in the Ireland we face right now. As you will see from this work, our students want to fuel change in a creative and productive way, from how we design our public services to the way we see each other. 

They are emerging into their professional careers at an exciting time as new opportunities emerge in Ireland for creative graduates. The creative sector is one of the fastest growing in the global economy. Ireland’s creative graduates drive our creative and cultural sectors, which currently contribute 3.7% of Gross Added Value to the economy, with room to grow even more.

Our students are fully engaged with the world beyond the NCAD campus, and they continue to demonstrate their ambition and commitment to make work that has impact and meaning to us all in many different ways. The big challenges that face society can be traced across our graduates' work as they apply their creativity to bringing new solutions, critical thinking, and reflection onto issues including sustainability, gender identity and equality, wellbeing, new technologies, and our digital and material futures.  

An education at NCAD is the starting point for generations of bold and curious minds that have made an enormous contribution to society in many different ways. We are confident that this generation is set to continue this extraordinary legacy as they leave us equipped with the imagination, creativity, and critical thinking that will ensure that they make an impact in whatever path they follow. 

So, on behalf of An Bord and all my colleagues at NCAD – congratulations to all our graduating students; we are extremely proud of all that you have achieved, and we look forward to following your creative journeys in the future.

Thomas St Campus

100 Thomas Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

BA Fashion
BA Jewellery & Objects
BA Textile & Surface Design
Joint (Hons) Education Design or Fine Art
BA Graphic Design
BA Illustration
BA Moving Image Design
BA Interaction Design
BA Product Design
Applied Materials
Media
Painting
Print
Sculpture & Expanded Practice
MA Design for Body & Environment
MA Communication Design
MA Interaction Design
MSC Medical Device Design
Prof Dip Service Design
BA Visual Culture

The Annex

102–3 James’ Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

MFA in Fine Art
MFA Art in the Contemporary World

Grace Gifford House

John St W
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

Media

School of Fine Art

This brilliant time of year in NCAD is the result of our students’ research, planning, skills, and their commitment to walk through the door of a series of decisions. Unlike most other knowledge domains, art requires that this learning is undertaken in the sight and site of peers. I’m thinking this is asked of very few others in their learning, and what a powerful and particular piece of communication and ‘publicness’ this is.

The School of Fine Art is full of students who choose to learn in this way and NCAD evolves as a very significant hub of art learning in these islands as we continue to prosper and innovate. Internationally, our benchmarking and relationship building continues to support us. In Beijing and Chongqing, we learn that the first Chinese character spelling Ireland means love, and perhaps the emergent thinking of the shared Island of all our futures is a love Island working through how we live well. The reanimation of student study visits is a powerful part of this, with significant ongoing Erasmus engagement. A consistent body of differently experienced visitors keeps us all keen.

Innovation at undergraduate level continues to platform critical creative thinking and action for the challenges ahead with the continuing growth of Studio +, whilst our departments pedagogically innovate in relation to computer commanded manipulation aligning digital facility with other models of how we know.

At postgraduate level, the thematic testing of art work supported by the Creative Futures Academy (CFA) combined with an agile, future facing freshness, has attracted new cohorts of students. Art knowing combined with other knowledge domains in health, social action, and ecology, for example, supports diverse and overlapping learning experiences on site and in the room. We are building new postgraduate offers to named pathways of interest that will dynamically further advance our research community of staff and students.

I would like to thank our partners, supporters, and staff- academic, administrative, and operational- and I would especially like to say really well done to our students for being with things all the way.

Welcome to our work everyone.

Professor Philip Napier
Head of the School of Fine Art