Rosatia McCormack

The focus of this work is an exploration of the use of knit resembling lace and wax. It finds its roots in an in-depth examination of Georgian Dublin architecture and its enduring significance in contemporary society. Delving into the evolution of these buildings reveals three distinct narratives: neglect, romanticisation, and renewal.

The architectural journey mirrors the human experience. Bodies, like buildings, can deteriorate if neglected, thrive when cherished, and transform through transitions. My creative process, inspired by these parallels, seamlessly integrates cotton yarn and plaster to mould textures that mirror the vulnerability, resilience, and adaptability of both architecture and humanity.

As for my textile research, I crafted my central piece, 'Past and Present Prayer,' as an ode to loss beyond the aesthetic allure of architectural preservation. Drawing from my previous work, which delved into the impracticality of femininity, I aim to confront themes of heartache and longing within my final piece. Through a sculptural knit garment suspended, I seek to encapsulate a visceral experience of decay and transition- both in buildings and in human form.