Professor Sarah Glennie ∙ Director

NCAD WORKS 2024 provides a portal to the full breadth of work by our extraordinary graduates from across our four schools of Fine Art, Design, Education, and Visual Culture and encompasses students graduating from our broad range of undergraduate, postgraduate, and CEAD programmes. 

Collectively, our graduates represent Ireland’s creative future, and they each hold great potential to play a dynamic and impactful role in the Ireland we face right now. As you will see from this work, our students want to fuel change in a creative and productive way, from how we design our public services to the way we see each other. 

They are emerging into their professional careers at an exciting time as new opportunities emerge in Ireland for creative graduates. The creative sector is one of the fastest growing in the global economy. Ireland’s creative graduates drive our creative and cultural sectors, which currently contribute 3.7% of Gross Added Value to the economy, with room to grow even more.

Our students are fully engaged with the world beyond the NCAD campus, and they continue to demonstrate their ambition and commitment to make work that has impact and meaning to us all in many different ways. The big challenges that face society can be traced across our graduates' work as they apply their creativity to bringing new solutions, critical thinking, and reflection onto issues including sustainability, gender identity and equality, wellbeing, new technologies, and our digital and material futures.  

An education at NCAD is the starting point for generations of bold and curious minds that have made an enormous contribution to society in many different ways. We are confident that this generation is set to continue this extraordinary legacy as they leave us equipped with the imagination, creativity, and critical thinking that will ensure that they make an impact in whatever path they follow. 

So, on behalf of An Bord and all my colleagues at NCAD – congratulations to all our graduating students; we are extremely proud of all that you have achieved, and we look forward to following your creative journeys in the future.

Thomas St Campus

100 Thomas Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

BA Fashion
BA Jewellery & Objects
BA Textile & Surface Design
Joint (Hons) Education Design or Fine Art
BA Graphic Design
BA Illustration
BA Moving Image Design
BA Interaction Design
BA Product Design
Applied Materials
Media
Painting
Print
Sculpture & Expanded Practice
MA Design for Body & Environment
MA Communication Design
MA Interaction Design
MSC Medical Device Design
Prof Dip Service Design
BA Visual Culture

The Annex

102–3 James’ Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

MFA in Fine Art
MFA Art in the Contemporary World

Grace Gifford House

John St W
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

Media

Olive Jagha

she/her

As is above, so is below

‘As is above, so is below', a work created by Olive Jagha, delves into the conceptualisation of human origination, inspired by the phenomenon of collective dreaming. The work's purpose is to reconnect us through its depiction of a neutral landscape, reminiscent of Africa's original state as the primal land we once inhabited. Today, the womb represents the last remaining neutral space, free of internal biases, though not immune to external influences.

Jagha is a multimedia artist, using soft materials, metal, natural materials and sound to create this work. The interplay between soft and hard materials creates a juxtaposition of strength and tenderness, embodying the dual capacity to carry life and nurture it.

Accessibility was a fundamental consideration in creating this work. Given that dreaming and origins does not exclude, Jagha believes neither should the art-world. The goal is to enhance spaces and open galleries to greater diversity.

As is above so is below, mirror to the sky

As is above so is below, mirror to the sky

As is above so is below, flowers where scars once were

As is above so is below, flowers where scars once were

As is above so is below, flowers where scars once were

As is above so is below, flowers where scars once were

Dreaming, seeing, perceiving

Research

Welding to create the bones/ frame of the womb

Welding to create the bones/ frame of the womb

Process of thinking through making. Deciding to create a window in the womb to mirror the sky-line where I decided the work was to be hung. Allowing nature to play a role in my work. Work looking different in different weather and at different times of the day. Playing with the limitless but also limited nature of time.

Process of thinking through making. Deciding to create a window in the womb to mirror the sky-line where I decided the work was to be hung. Allowing nature to play a role in my work. Work looking different in different weather and at different times of the day. Playing with the limitless but also limited nature of time.

<p>Eco-printing, sustainability within the world of textiles, collecting methods of making and designing without energy, buying things new. Understanding how capitalism relies on discrimination to work.</p>

Eco-printing, sustainability within the world of textiles, collecting methods of making and designing without energy, buying things new. Understanding how capitalism relies on discrimination to work.

<p>Flag making experiments. Embroidery, 'pigin' English, tufting. 'No man's land'. Making decisions and experimenting with the use of flags, unconventionality of flags I can make, codes within flags and what neutrality can be created in flags, e.g, lack of writing, universal images and shapes, non confrontational colour, white flag meaning 'I come in peace'. </p>

Flag making experiments. Embroidery, 'pigin' English, tufting. 'No man's land'. Making decisions and experimenting with the use of flags, unconventionality of flags I can make, codes within flags and what neutrality can be created in flags, e.g, lack of writing, universal images and shapes, non confrontational colour, white flag meaning 'I come in peace'.

<p>Painting dreams, I or others have had. Painting to create surrealist art to publish with work. Inspired by 2022 Venice Biennale 'The Milk of Dreams'.</p>

Painting dreams, I or others have had. Painting to create surrealist art to publish with work. Inspired by 2022 Venice Biennale 'The Milk of Dreams'.