Professor Sarah Glennie ∙ Director

NCAD WORKS 2024 provides a portal to the full breadth of work by our extraordinary graduates from across our four schools of Fine Art, Design, Education, and Visual Culture and encompasses students graduating from our broad range of undergraduate, postgraduate, and CEAD programmes. 

Collectively, our graduates represent Ireland’s creative future, and they each hold great potential to play a dynamic and impactful role in the Ireland we face right now. As you will see from this work, our students want to fuel change in a creative and productive way, from how we design our public services to the way we see each other. 

They are emerging into their professional careers at an exciting time as new opportunities emerge in Ireland for creative graduates. The creative sector is one of the fastest growing in the global economy. Ireland’s creative graduates drive our creative and cultural sectors, which currently contribute 3.7% of Gross Added Value to the economy, with room to grow even more.

Our students are fully engaged with the world beyond the NCAD campus, and they continue to demonstrate their ambition and commitment to make work that has impact and meaning to us all in many different ways. The big challenges that face society can be traced across our graduates' work as they apply their creativity to bringing new solutions, critical thinking, and reflection onto issues including sustainability, gender identity and equality, wellbeing, new technologies, and our digital and material futures.  

An education at NCAD is the starting point for generations of bold and curious minds that have made an enormous contribution to society in many different ways. We are confident that this generation is set to continue this extraordinary legacy as they leave us equipped with the imagination, creativity, and critical thinking that will ensure that they make an impact in whatever path they follow. 

So, on behalf of An Bord and all my colleagues at NCAD – congratulations to all our graduating students; we are extremely proud of all that you have achieved, and we look forward to following your creative journeys in the future.

Thomas St Campus

100 Thomas Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

BA Fashion
BA Jewellery & Objects
BA Textile & Surface Design
Joint (Hons) Education Design or Fine Art
BA Graphic Design
BA Illustration
BA Moving Image Design
BA Interaction Design
BA Product Design
Applied Materials
Media
Painting
Print
Sculpture & Expanded Practice
MA Design for Body & Environment
MA Communication Design
MA Interaction Design
MSC Medical Device Design
Prof Dip Service Design
BA Visual Culture

The Annex

102–3 James’ Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

MFA in Fine Art
MFA Art in the Contemporary World

Grace Gifford House

John St W
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

Media

Paris Flynn

she/her

From Bray to Z

My practice is heavily influenced by personal experience. It aims to remind us that there is a story behind everything and that there is beauty in the everyday. As an illustrator and introvert, I enjoy exploring life’s fleeting moments; capturing how people connect with each other and their surroundings. Capturing quick interactions during rush hour in the city to the quiet moments of daily life, I translate these innocuous moments into sweet narrative scenes.

‘From Bray to Z’ explores my relationship with my hometown of Bray, County Wicklow. Through the use of digital illustration and photo collage, my work explores the everyday and attempts to build visual connections through stories, structures and historical contexts. The focus is to highlight specific elements of Bray in order to reignite the relationship between the town and its residents whilst redefining the town’s current reputation.

This is a comic called Lover’s Leap which tells the story of the Dargle River in Bray. This comic was illustrated in an attempt to make the story more accessible and widespread to people.

This is a comic called Lover’s Leap which tells the story of the Dargle River in Bray. This comic was illustrated in an attempt to make the story more accessible and widespread to people.

Pages 6-7 from Lover's Leap

Pages 6-7 from Lover's Leap

Pages 12-13 from Lover's Leap

Pages 12-13 from Lover's Leap

I wanted to explore Bray through its existing buildings and try to reconnect locals with places they can engage with and see. I believe that illustration can be used to reconnect people and places by showing a new perspective to a familiar site. For me I found that some of the most overlooked buildings are the charity shops. “All Bray has is cafes and charity shops” is a phrase I have heard over and over and I decided to focus on this and try to bring a new outlook to it whilst also educating on the town.

I wanted to explore Bray through its existing buildings and try to reconnect locals with places they can engage with and see. I believe that illustration can be used to reconnect people and places by showing a new perspective to a familiar site. For me I found that some of the most overlooked buildings are the charity shops. “All Bray has is cafes and charity shops” is a phrase I have heard over and over and I decided to focus on this and try to bring a new outlook to it whilst also educating on the town.

The month of January is shown here outside of 'Cloud 9' in Bray. Each month showcases a different charity shop in Bray with key dates in our town's history highlighted.

The month of January is shown here outside of 'Cloud 9' in Bray. Each month showcases a different charity shop in Bray with key dates in our town's history highlighted.

Month of October

Month of October

In From Bray to Z, I wanted to explore some of our towns' lost structures. There is currently an effort in Bray to show our past using old photographs stuck up around the town. I think that illustration can be used to improve this effort as the photos alone are not grabbing people's attention and guiding them to learn more. The aim of this outcome is to compare past and present through striking visuals, therefore educating locals on our current and lost structures whilst also  allowing locals to access information that was deep in the archives easily. This informational magazine is accompanied by prints of the inside illustrations.

In From Bray to Z, I wanted to explore some of our towns' lost structures. There is currently an effort in Bray to show our past using old photographs stuck up around the town. I think that illustration can be used to improve this effort as the photos alone are not grabbing people's attention and guiding them to learn more. The aim of this outcome is to compare past and present through striking visuals, therefore educating locals on our current and lost structures whilst also allowing locals to access information that was deep in the archives easily. This informational magazine is accompanied by prints of the inside illustrations.

This illustration focuses on a piece of broken structure along Bray's promenade. Due to the bad weather at the time it had filled with rainwater making it its own little swimming pool! The Promenade dates back to Victorian times when William Dargan, the man who brought the railway to Bray, built it as part of his plan to turn Bray into a popular seaside resort.

This illustration focuses on a piece of broken structure along Bray's promenade. Due to the bad weather at the time it had filled with rainwater making it its own little swimming pool! The Promenade dates back to Victorian times when William Dargan, the man who brought the railway to Bray, built it as part of his plan to turn Bray into a popular seaside resort.

The original Dawson’s was founded by Gerry and Lily Dawson in 1941. A replacement building was erected in the 1980s amid controversy due to its appearance and its proximity to Bray Head. It functions as an amusements and casino.

The original Dawson’s was founded by Gerry and Lily Dawson in 1941. A replacement building was erected in the 1980s amid controversy due to its appearance and its proximity to Bray Head. It functions as an amusements and casino.

This illustration is based on Bray's Turkish baths. The Turkish baths were built in Bray in an attempt to aid the vision of Bray being a health resort in 1959. Tourists came for the first few weeks until Baths were opened in Dublin which made the trip unnecessary. The Turkish baths were demolished in the 1980’s and a shopping precinct was built including a Tesco express.

This illustration is based on Bray's Turkish baths. The Turkish baths were built in Bray in an attempt to aid the vision of Bray being a health resort in 1959. Tourists came for the first few weeks until Baths were opened in Dublin which made the trip unnecessary. The Turkish baths were demolished in the 1980’s and a shopping precinct was built including a Tesco express.