Professor Sarah Glennie ∙ Director

NCAD WORKS 2024 provides a portal to the full breadth of work by our extraordinary graduates from across our four schools of Fine Art, Design, Education, and Visual Culture and encompasses students graduating from our broad range of undergraduate, postgraduate, and CEAD programmes. 

Collectively, our graduates represent Ireland’s creative future, and they each hold great potential to play a dynamic and impactful role in the Ireland we face right now. As you will see from this work, our students want to fuel change in a creative and productive way, from how we design our public services to the way we see each other. 

They are emerging into their professional careers at an exciting time as new opportunities emerge in Ireland for creative graduates. The creative sector is one of the fastest growing in the global economy. Ireland’s creative graduates drive our creative and cultural sectors, which currently contribute 3.7% of Gross Added Value to the economy, with room to grow even more.

Our students are fully engaged with the world beyond the NCAD campus, and they continue to demonstrate their ambition and commitment to make work that has impact and meaning to us all in many different ways. The big challenges that face society can be traced across our graduates' work as they apply their creativity to bringing new solutions, critical thinking, and reflection onto issues including sustainability, gender identity and equality, wellbeing, new technologies, and our digital and material futures.  

An education at NCAD is the starting point for generations of bold and curious minds that have made an enormous contribution to society in many different ways. We are confident that this generation is set to continue this extraordinary legacy as they leave us equipped with the imagination, creativity, and critical thinking that will ensure that they make an impact in whatever path they follow. 

So, on behalf of An Bord and all my colleagues at NCAD – congratulations to all our graduating students; we are extremely proud of all that you have achieved, and we look forward to following your creative journeys in the future.

Thomas St Campus

100 Thomas Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

BA Fashion
BA Jewellery & Objects
BA Textile & Surface Design
Joint (Hons) Education Design or Fine Art
BA Graphic Design
BA Illustration
BA Moving Image Design
BA Interaction Design
BA Product Design
Applied Materials
Media
Painting
Print
Sculpture & Expanded Practice
MA Design for Body & Environment
MA Communication Design
MA Interaction Design
MSC Medical Device Design
Prof Dip Service Design
BA Visual Culture

The Annex

102–3 James’ Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

MFA in Fine Art
MFA Art in the Contemporary World

Grace Gifford House

John St W
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

Media

Lauren McKenna

she/her

Emergence

My work dives into the world from a sea bird's perspective. This “birds eye view” has brought me along a journey beyond what the eye can see. If you come to the beach, you will think it is pristine. It is not until you start looking closer that you see just how much plastic emerges along the shore. Birds become entangled in this plastic which also ends up in their gut as they mistake it for food amongst the ribbons of seaweed. If you have ever walked the beaches after a storm, you can see the remnants of our “throw it away” society.

The mediative act of hand cut paper works becomes integral to my process. Lace-like patterns create visual narratives exploring the materiality of light and reflect the ever-changing world we live in today, where the delicate balance of nature can be ruined so easily. As you move and change your perspective within my work, the reflections of light and shadow manipulate, and rounded curves and hollow spaces become ever-changing forms.

“Art, the work of the head, the work of the heart, and the work of the hands” - Gert Biesta

“Art, the work of the head, the work of the heart, and the work of the hands” - Gert Biesta

“The natural world then seemed like an unexplored world...everywhere you turned you saw something new” - David Attenborough

“The natural world then seemed like an unexplored world...everywhere you turned you saw something new” - David Attenborough

“The object of art is not to reproduce reality, but to create a reality of the same intensity” - Alberto Giacometti

“The object of art is not to reproduce reality, but to create a reality of the same intensity” - Alberto Giacometti

Research

The design process, ink on paper

The design process, ink on paper

On film

On film

On film

On film

Cyanotype swatches

Cyanotype swatches

<p>Offerings from the sea</p>

Offerings from the sea

Teaching Placements

St Tiernans Community School, Dublin

St Macartans College, Monaghan

St Louis Secondary School, Monaghan