Professor Sarah Glennie ∙ Director

NCAD WORKS 2024 provides a portal to the full breadth of work by our extraordinary graduates from across our four schools of Fine Art, Design, Education, and Visual Culture and encompasses students graduating from our broad range of undergraduate, postgraduate, and CEAD programmes. 

Collectively, our graduates represent Ireland’s creative future, and they each hold great potential to play a dynamic and impactful role in the Ireland we face right now. As you will see from this work, our students want to fuel change in a creative and productive way, from how we design our public services to the way we see each other. 

They are emerging into their professional careers at an exciting time as new opportunities emerge in Ireland for creative graduates. The creative sector is one of the fastest growing in the global economy. Ireland’s creative graduates drive our creative and cultural sectors, which currently contribute 3.7% of Gross Added Value to the economy, with room to grow even more.

Our students are fully engaged with the world beyond the NCAD campus, and they continue to demonstrate their ambition and commitment to make work that has impact and meaning to us all in many different ways. The big challenges that face society can be traced across our graduates' work as they apply their creativity to bringing new solutions, critical thinking, and reflection onto issues including sustainability, gender identity and equality, wellbeing, new technologies, and our digital and material futures.  

An education at NCAD is the starting point for generations of bold and curious minds that have made an enormous contribution to society in many different ways. We are confident that this generation is set to continue this extraordinary legacy as they leave us equipped with the imagination, creativity, and critical thinking that will ensure that they make an impact in whatever path they follow. 

So, on behalf of An Bord and all my colleagues at NCAD – congratulations to all our graduating students; we are extremely proud of all that you have achieved, and we look forward to following your creative journeys in the future.

Thomas St Campus

100 Thomas Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

BA Fashion
BA Jewellery & Objects
BA Textile & Surface Design
Joint (Hons) Education Design or Fine Art
BA Graphic Design
BA Illustration
BA Moving Image Design
BA Interaction Design
BA Product Design
Applied Materials
Media
Painting
Print
Sculpture & Expanded Practice
MA Design for Body & Environment
MA Communication Design
MA Interaction Design
MSC Medical Device Design
Prof Dip Service Design
BA Visual Culture

The Annex

102–3 James’ Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

MFA in Fine Art
MFA Art in the Contemporary World

Grace Gifford House

John St W
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

Media

Jenifer Williams

AFTER

“Some say the world will end in fire
Some say in ice” – Robert Frost

‘After’ is a unisex collection that explores the conflict between function and decoration in garments. Set in 2040, my fictional character faces a plight caused by weather conditions and faces the difficult choice of dressing for the weather elements or for ornament. Traditional closet staples are re-contextualised and fused with emergency service workwear garments featuring essentials such as undersuits and gloves.

My aim was to create a collection that features a fusion of decorative elements drawn from the natural world and undersuits inspired by emergency workwear garments. The collection features flowers laser-cut out of waterproof fabrics as a decorative element inspired by Hepatica flowers and eyelets. For undersuits, I drew inspiration from an ex- RAF immersion suit, deep sea diving gear, and firemen workwear. The collection’s silhouettes reference Robert Frost’s, “Fire and Ice” poem softened by flowers and drawstring fastenings.

ETT

ETT

LAYER 1: Features ETT Treksuit top and bottom decorative shell with embroidered laser cut flowers. The sleeves extend as a scarf train.

LAYER 1: Features ETT Treksuit top and bottom decorative shell with embroidered laser cut flowers. The sleeves extend as a scarf train.

LAYER 2: Features GAD, a top decorative shell dress covered in laser-cut flowers inserted with eyelets through the perforated shell and lining making it breathable

LAYER 2: Features GAD, a top decorative shell dress covered in laser-cut flowers inserted with eyelets through the perforated shell and lining making it breathable

ETT 'crouch'

ETT 'crouch'

LAYER 0: A1-S

LAYER 0: A1-S

Image detail- Layer 2: Features A1-0 undersuit,  Layer 3: Features  ETD dress pinafore detachable front and back with decorative surface featuring laser-cut flowers placed on with eyelets through perforated shell and lining

Image detail- Layer 2: Features A1-0 undersuit,  Layer 3: Features  ETD dress pinafore detachable front and back with decorative surface featuring laser-cut flowers placed on with eyelets through perforated shell and lining

Research

<p><em>GAD</em> dress surface</p>

GAD dress surface

<p><em>ETD</em> dress surface</p>

ETD dress surface

<p><em>ETT</em> dress surface</p>

ETT dress surface

<p><em>ETD</em> dress</p>

ETD dress