Professor Sarah Glennie ∙ Director

NCAD WORKS 2024 provides a portal to the full breadth of work by our extraordinary graduates from across our four schools of Fine Art, Design, Education, and Visual Culture and encompasses students graduating from our broad range of undergraduate, postgraduate, and CEAD programmes. 

Collectively, our graduates represent Ireland’s creative future, and they each hold great potential to play a dynamic and impactful role in the Ireland we face right now. As you will see from this work, our students want to fuel change in a creative and productive way, from how we design our public services to the way we see each other. 

They are emerging into their professional careers at an exciting time as new opportunities emerge in Ireland for creative graduates. The creative sector is one of the fastest growing in the global economy. Ireland’s creative graduates drive our creative and cultural sectors, which currently contribute 3.7% of Gross Added Value to the economy, with room to grow even more.

Our students are fully engaged with the world beyond the NCAD campus, and they continue to demonstrate their ambition and commitment to make work that has impact and meaning to us all in many different ways. The big challenges that face society can be traced across our graduates' work as they apply their creativity to bringing new solutions, critical thinking, and reflection onto issues including sustainability, gender identity and equality, wellbeing, new technologies, and our digital and material futures.  

An education at NCAD is the starting point for generations of bold and curious minds that have made an enormous contribution to society in many different ways. We are confident that this generation is set to continue this extraordinary legacy as they leave us equipped with the imagination, creativity, and critical thinking that will ensure that they make an impact in whatever path they follow. 

So, on behalf of An Bord and all my colleagues at NCAD – congratulations to all our graduating students; we are extremely proud of all that you have achieved, and we look forward to following your creative journeys in the future.

Thomas St Campus

100 Thomas Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

BA Fashion
BA Jewellery & Objects
BA Textile & Surface Design
Joint (Hons) Education Design or Fine Art
BA Graphic Design
BA Illustration
BA Moving Image Design
BA Interaction Design
BA Product Design
Applied Materials
Media
Painting
Print
Sculpture & Expanded Practice
MA Design for Body & Environment
MA Communication Design
MA Interaction Design
MSC Medical Device Design
Prof Dip Service Design
BA Visual Culture

The Annex

102–3 James’ Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

MFA in Fine Art
MFA Art in the Contemporary World

Grace Gifford House

John St W
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

Media

Eoghan McGuinness

he/him

Naturally Green

‘Naturally Green’ takes inspiration from naturally green spaces in urban settings in Dublin, specifically the NCAD field, a wild area in the heart of D8. My work questions the importance of these spaces in cities and their impact on our general well-being. Through my work, I want to make visible the preciousness of these spaces through the materials and techniques that I utilise, such as precious metals, gemstones, and casting techniques. While experimenting with sand casting, I fell in love with the cast in place technique where stones are set into molten metal.

The array of colours, textures, and variety of flora and fauna in the NCAD field are mirrored in the sand-casted forms through the use of multi-coloured sapphires and textures in the metal. The act of the cast in place technique also represents the growth of nature in urban settings as the stones hold on and peek through the metal in different ways. Objects have been taken directly from the NCAD field and cast into wearable pieces through the process of lost wax casting. Dried plants are repetitively dipped into wax and then cast in brass and silver to create precious and everlasting impressions of these plants that come from the wonderful wild areas of urban settings in Dublin.

The Natural Authority Signets are a collection of signet rings that embody the dominance of wild spaces over man-made environments. These rings highlight the importance of plants, symbolised through sapphires cast in place and stone-set after casting. The combination of rough, sand-casted metal and the prominence of the sapphires represents the essential role of nature in our lives and the authority of plants over human-made structures.

The Natural Authority Signets are a collection of signet rings that embody the dominance of wild spaces over man-made environments. These rings highlight the importance of plants, symbolised through sapphires cast in place and stone-set after casting. The combination of rough, sand-casted metal and the prominence of the sapphires represents the essential role of nature in our lives and the authority of plants over human-made structures.

These earrings are inspired by the heritage walls that enclose the NCAD field and its natural wild space. It holds the same significance as it’s other counterparts that are named in the mortar collection part of the Naturally Green collection. These sterling silver earrings  are made using sand cast techniques in a more aggressive, less precise manner, making it more unpredictable and achieving rougher texture with ‘flashing’ giving it more variety and brick-like aesthetic.

These earrings are inspired by the heritage walls that enclose the NCAD field and its natural wild space. It holds the same significance as it’s other counterparts that are named in the mortar collection part of the Naturally Green collection. These sterling silver earrings are made using sand cast techniques in a more aggressive, less precise manner, making it more unpredictable and achieving rougher texture with ‘flashing’ giving it more variety and brick-like aesthetic.

This sterling silver bracelet is inspired by the historic walls enclosing the NCAD field, a natural wilding space in the city. Each link is hand-cast using ancient sand casting techniques, embracing imperfections to create unique, textured links reminiscent of the heritage walls protecting this urban sanctuary.

This sterling silver bracelet is inspired by the historic walls enclosing the NCAD field, a natural wilding space in the city. Each link is hand-cast using ancient sand casting techniques, embracing imperfections to create unique, textured links reminiscent of the heritage walls protecting this urban sanctuary.

These brooches are meticulously crafted from vines gathered and dried from the NCAD field. The vines are first dipped in wax to preserve their natural form and texture. They are then cast in brass, resulting in a durable and lasting piece. Each brooch is fitted with a pin, allowing it to be worn and cherished. These brooches embody a permanent piece of nature, transforming organic elements into wearable art that captures the essence of the natural world.

These brooches are meticulously crafted from vines gathered and dried from the NCAD field. The vines are first dipped in wax to preserve their natural form and texture. They are then cast in brass, resulting in a durable and lasting piece. Each brooch is fitted with a pin, allowing it to be worn and cherished. These brooches embody a permanent piece of nature, transforming organic elements into wearable art that captures the essence of the natural world.