Professor Sarah Glennie ∙ Director

NCAD WORKS 2024 provides a portal to the full breadth of work by our extraordinary graduates from across our four schools of Fine Art, Design, Education, and Visual Culture and encompasses students graduating from our broad range of undergraduate, postgraduate, and CEAD programmes. 

Collectively, our graduates represent Ireland’s creative future, and they each hold great potential to play a dynamic and impactful role in the Ireland we face right now. As you will see from this work, our students want to fuel change in a creative and productive way, from how we design our public services to the way we see each other. 

They are emerging into their professional careers at an exciting time as new opportunities emerge in Ireland for creative graduates. The creative sector is one of the fastest growing in the global economy. Ireland’s creative graduates drive our creative and cultural sectors, which currently contribute 3.7% of Gross Added Value to the economy, with room to grow even more.

Our students are fully engaged with the world beyond the NCAD campus, and they continue to demonstrate their ambition and commitment to make work that has impact and meaning to us all in many different ways. The big challenges that face society can be traced across our graduates' work as they apply their creativity to bringing new solutions, critical thinking, and reflection onto issues including sustainability, gender identity and equality, wellbeing, new technologies, and our digital and material futures.  

An education at NCAD is the starting point for generations of bold and curious minds that have made an enormous contribution to society in many different ways. We are confident that this generation is set to continue this extraordinary legacy as they leave us equipped with the imagination, creativity, and critical thinking that will ensure that they make an impact in whatever path they follow. 

So, on behalf of An Bord and all my colleagues at NCAD – congratulations to all our graduating students; we are extremely proud of all that you have achieved, and we look forward to following your creative journeys in the future.

Thomas St Campus

100 Thomas Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

BA Fashion
BA Jewellery & Objects
BA Textile & Surface Design
Joint (Hons) Education Design or Fine Art
BA Graphic Design
BA Illustration
BA Moving Image Design
BA Interaction Design
BA Product Design
Applied Materials
Media
Painting
Print
Sculpture & Expanded Practice
MA Design for Body & Environment
MA Communication Design
MA Interaction Design
MSC Medical Device Design
Prof Dip Service Design
BA Visual Culture

The Annex

102–3 James’ Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

MFA in Fine Art
MFA Art in the Contemporary World

Grace Gifford House

John St W
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

Media

Beth Snelling

she/her

Sown Stories / Scéalta Síolta

'Sown Stories/ Scéalta Síolta' is a culmination of work exploring County Down’s relationship with its heritage in the flax and linen industry. My initial interest stemmed from narratives passed down through generations, grounded in the experiences of my grandmother who worked in a linen factory.

Each component of ‘Sown Stories’ intertwines. The first is a publication delving into the vibrant history of the mills and the bustling industry they once housed. The second is an intergenerational toolkit, carefully crafted to extract linen stories from older generations. This toolkit links to an online space where oral histories are recorded. Finally, the third visualises the physicality of sowing linen back into our communities today, through an installation piece that bridges the past with the present.

Sown Stories is a testament to the spirit of those who sowed the seeds in our past and whose history we can now weave into the present.

232 Mills of County Down is a publication that tells the story of 232 mills in County Down that were part of the linen industry in Ireland. Using personal interviews, photography and research, this publication aims to inform and make a powerful impact, by displaying how an industry that once upon a time held so much space and value in Ireland has drastically diminished. Bound using hand painted layers of PVA glue with 31 white linen threads placed along the spine, further strengthened with a coat of PUR Glue to create an industrial authentic linen bind.

232 Mills of County Down is a publication that tells the story of 232 mills in County Down that were part of the linen industry in Ireland. Using personal interviews, photography and research, this publication aims to inform and make a powerful impact, by displaying how an industry that once upon a time held so much space and value in Ireland has drastically diminished. Bound using hand painted layers of PVA glue with 31 white linen threads placed along the spine, further strengthened with a coat of PUR Glue to create an industrial authentic linen bind.

Strategically composed of 232 pages to represent the former scale of the linen industry in Ireland. A combination of white ink on 140gsm Iris Siro Paper and black ink 120gsm White Soporset Paper has been used to represent the ‘wee blue blossom’ of the flax flower.

Strategically composed of 232 pages to represent the former scale of the linen industry in Ireland. A combination of white ink on 140gsm Iris Siro Paper and black ink 120gsm White Soporset Paper has been used to represent the ‘wee blue blossom’ of the flax flower.

The publication (20.3 x 35.6cm) contains 31 chapter pages each with 140gsm Sirio Color Perla inserts (19.8 x 12cm) that act as chapter markers whilst translating each location into its original Irish name. 

The publication (20.3 x 35.6cm) contains 31 chapter pages each with 140gsm Sirio Color Perla inserts (19.8 x 12cm) that act as chapter markers whilst translating each location into its original Irish name. 

Sown Stories is an inter-generational toolkit, which has been carefully crafted to encourage story telling from the linen industry, especially from older generations. Made up of 7 different items: An interactive workbook, stickers that encourage playfulness, postcards, a deck of question cards, a questioning device, a camera and a box to ship the above.

Sown Stories is an inter-generational toolkit, which has been carefully crafted to encourage story telling from the linen industry, especially from older generations. Made up of 7 different items: An interactive workbook, stickers that encourage playfulness, postcards, a deck of question cards, a questioning device, a camera and a box to ship the above.

Set of 4 Postcards for the older generation to record an analogue response. 

Set of 4 Postcards for the older generation to record an analogue response. 

Flax is a type made using flax seeds

Flax is a type made using flax seeds

Sown is a type experiment planted using flax seeds

Sown is a type experiment planted using flax seeds

The Sown Stories archive is available online for you to submit stories or browse linen stories that have already been sown: sownstories.cargo.site/

The Sown Stories archive is available online for you to submit stories or browse linen stories that have already been sown: sownstories.cargo.site/

The Border,  submission to the International Society of Typographic Designers. Composed of two publications, the first (19.2 x 13.1cm) with a cut of 9.9 x 8.5cm in the top left and right corner which the secondary book fits into, both housed together in a belly band. 

The Border, submission to the International Society of Typographic Designers. Composed of two publications, the first (19.2 x 13.1cm) with a cut of 9.9 x 8.5cm in the top left and right corner which the secondary book fits into, both housed together in a belly band. 

The Border, submission to the International Society of Typographic Designers. Composed of two publications that must work together in order to obtain the full story of The Border between Ireland and Northern Ireland.

The Border, submission to the International Society of Typographic Designers. Composed of two publications that must work together in order to obtain the full story of The Border between Ireland and Northern Ireland.

Research