Professor Sarah Glennie ∙ Director

NCAD WORKS 2024 provides a portal to the full breadth of work by our extraordinary graduates from across our four schools of Fine Art, Design, Education, and Visual Culture and encompasses students graduating from our broad range of undergraduate, postgraduate, and CEAD programmes. 

Collectively, our graduates represent Ireland’s creative future, and they each hold great potential to play a dynamic and impactful role in the Ireland we face right now. As you will see from this work, our students want to fuel change in a creative and productive way, from how we design our public services to the way we see each other. 

They are emerging into their professional careers at an exciting time as new opportunities emerge in Ireland for creative graduates. The creative sector is one of the fastest growing in the global economy. Ireland’s creative graduates drive our creative and cultural sectors, which currently contribute 3.7% of Gross Added Value to the economy, with room to grow even more.

Our students are fully engaged with the world beyond the NCAD campus, and they continue to demonstrate their ambition and commitment to make work that has impact and meaning to us all in many different ways. The big challenges that face society can be traced across our graduates' work as they apply their creativity to bringing new solutions, critical thinking, and reflection onto issues including sustainability, gender identity and equality, wellbeing, new technologies, and our digital and material futures.  

An education at NCAD is the starting point for generations of bold and curious minds that have made an enormous contribution to society in many different ways. We are confident that this generation is set to continue this extraordinary legacy as they leave us equipped with the imagination, creativity, and critical thinking that will ensure that they make an impact in whatever path they follow. 

So, on behalf of An Bord and all my colleagues at NCAD – congratulations to all our graduating students; we are extremely proud of all that you have achieved, and we look forward to following your creative journeys in the future.

Thomas St Campus

100 Thomas Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

BA Fashion
BA Jewellery & Objects
BA Textile & Surface Design
Joint (Hons) Education Design or Fine Art
BA Graphic Design
BA Illustration
BA Moving Image Design
BA Interaction Design
BA Product Design
Applied Materials
Media
Painting
Print
Sculpture & Expanded Practice
MA Design for Body & Environment
MA Communication Design
MA Interaction Design
MSC Medical Device Design
Prof Dip Service Design
BA Visual Culture

The Annex

102–3 James’ Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

MFA in Fine Art
MFA Art in the Contemporary World

Grace Gifford House

John St W
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

Media

A Walk-Through with artist Colin Martin of the Fine Art Painting Department & Discussion.

Join a Walk-Through with invited artist Colin Martin of the NCAD Painting Department Graduate Exhibition and discussion around processes and project outcomes.

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Colin Martin is an artist and lecturer based in Dublin. He is currently Head of the RHA School and lectures part time in the NCAD Media Department. He is a graduate of DIT and NCAD and works in the medium of painting and film. Colin Martins current practice explores boundaries between real and virtual world through both film and painting. His current project Empathy Lab is based on a dedicated area in Facebook headquarters were employees can express empathy through technology to various causes. This series of paintings explores a prosthetic relationship with technology. The practice makes reference to science fiction genres and imagined futures that have come to pass such as future orientated culture that has become obsolete or reappraised. The works depict computer museums, analogue recording equipment and modular electronic instruments. Some works depict pre-internet sites of surveillance such as the Berlin Stasi Museum and the geneses of a boundless surveillance culture were the politics of private and public space is fluid. The works explore spaces that blur boundaries between the real and virtual and where technology, culture and politics have become synthesised. Current works depict research and development from technology companies such as Boston Dynamics, Facebook and Tesla.

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Recent solo exhibitions include Surveille.e.s CCI Paris, 2023, curated by Nora Hickey, House Taken Over, Private House, Belfast 2018, This is Not Architecture, Highlanes Gallery, Drogheda 2017, Far From Me, Josef Fillip Gallery, Leipzig, N.O.W.H.E.R.E., Interview Room 11, Edinburgh, 2016.
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Image: Artist Colin Martin pictured in front of his work ‘Laboratory’.2022.


11 Jun / 3:00 PM
Duration: 60 minutes +

Fine Art Painting Department, 3rd Floor Granary Building.