Professor Sarah Glennie ∙ Director

NCAD WORKS 2024 provides a portal to the full breadth of work by our extraordinary graduates from across our four schools of Fine Art, Design, Education, and Visual Culture and encompasses students graduating from our broad range of undergraduate, postgraduate, and CEAD programmes. 

Collectively, our graduates represent Ireland’s creative future, and they each hold great potential to play a dynamic and impactful role in the Ireland we face right now. As you will see from this work, our students want to fuel change in a creative and productive way, from how we design our public services to the way we see each other. 

They are emerging into their professional careers at an exciting time as new opportunities emerge in Ireland for creative graduates. The creative sector is one of the fastest growing in the global economy. Ireland’s creative graduates drive our creative and cultural sectors, which currently contribute 3.7% of Gross Added Value to the economy, with room to grow even more.

Our students are fully engaged with the world beyond the NCAD campus, and they continue to demonstrate their ambition and commitment to make work that has impact and meaning to us all in many different ways. The big challenges that face society can be traced across our graduates' work as they apply their creativity to bringing new solutions, critical thinking, and reflection onto issues including sustainability, gender identity and equality, wellbeing, new technologies, and our digital and material futures.  

An education at NCAD is the starting point for generations of bold and curious minds that have made an enormous contribution to society in many different ways. We are confident that this generation is set to continue this extraordinary legacy as they leave us equipped with the imagination, creativity, and critical thinking that will ensure that they make an impact in whatever path they follow. 

So, on behalf of An Bord and all my colleagues at NCAD – congratulations to all our graduating students; we are extremely proud of all that you have achieved, and we look forward to following your creative journeys in the future.

Thomas St Campus

100 Thomas Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

BA Fashion
BA Jewellery & Objects
BA Textile & Surface Design
Joint (Hons) Education Design or Fine Art
BA Graphic Design
BA Illustration
BA Moving Image Design
BA Interaction Design
BA Product Design
Applied Materials
Media
Painting
Print
Sculpture & Expanded Practice
MA Design for Body & Environment
MA Communication Design
MA Interaction Design
MSC Medical Device Design
Prof Dip Service Design
BA Visual Culture

The Annex

102–3 James’ Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

MFA in Fine Art
MFA Art in the Contemporary World

Grace Gifford House

John St W
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

Media

Roundtable Talk with the Graduate Fashion Students 2024 chaired by NATALIEBCOLEMAN.

Join the graduate fashion students of 2024 for a roundtable talk chaired by designer and educator NATALIEBCOLEMAN. The discussion will center around futures in fashion, how personal experiences influence design processes, student life challenges, why happiness should matter in fashion, and accountability in design.
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The BA Fashion Design aims to educate students to become professional practitioners in the field of fashion and its related industries. Our students are encouraged to have an awareness of fashion in its social and cultural context and to bring that understanding to their work.

The department places great value on its industry and professional links that gives students an insight into real-world commercial requirements. Emphasis is placed on developing informed, creative designers, who are prepared for the needs of industry. Our Fashion Design students learn about the design process as it applies to the Fashion industry.

Elements covered include visual research, drawing, design process, fashion design, knitwear design, pattern cutting, garment construction, illustration presentation, manufacturing techniques and market research. There is a focus on understanding fashion in context and students undertake field research, trend analyses, customer profiling and branding within a wide range of contexts for the fashion industry.
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10 Jun / 1:00 PM
Duration: 60 minutes +

Design Building, 4th Floor

Natalie B Coleman is a native of the Republic of Ireland. By 2007, she was studying at Central Saint Martins in London for her MA Fashion in Womenswear under the tutelage of the late Louise Wilson. In 2011, Natalie set up a studio and launched her eponymous label. Her collections play on feminine silhouettes with humorous and sometimes subversive illustrative prints and motifs. In that same year, Natalie published an Archive with renowned graphic designer and academic Paul Bailey. This book was specially commended at the Best British Book Design and Production Awards and was bought by London College Of Fashion as part of their permanent library. The label has been developing a strong feminist rhetoric that now informs the collections. This narrative is coupled with opulent fabrics, appliques, whimsical hand beaded and hand painted surface decoration. In 2013 Natalie became the first Irish designer ambassador to Microsoft. This is an exciting role for the label bridging innovation and technology with fashion. Other NATALIEBCOLEMAN collaborations include working with fellow St. Martins MA student Derek Lawlor on a knitwear collection for Autumn/Winter 2016 which showed at London and Paris Fashion Weeks.

In 2019 the label was delighted to officially partner with the United Nations Population Fund on a collaborative SISTERS collection. The title SISTERS was influenced by the powerful bonds that exist between women and girls in our contemporary global society and the partnership emphasised the importance of sisterhood in times of rapid and turbulent social change. The collection symbolised the collaborative power of sisterhood: the coming together of women to mobilise and build support systems – to fulfil the promise of rights and choices for all. This launched at London Fashion Week and then Paris. In November 2019 Natalie was invited by the UNFPA to give a presentation on her design work at the United Nations Nairobi Summit. Natalie was also invited by supermodel and philanthropist Natalia Vodianova’s charity Elbi to speak on the Let’s Talk panel in Nairobi on how creativity and design can break through stigmas and taboos surrounding women’s health. In 2020, Natalie released her latest ‘Sister / Mother / Goddess’ collection. This was a series of custom-made designs photographed at the Museum of Literature Ireland, bringing together a diverse group of Irish women to posture regally in elegant, silk taffeta and smocked tulle creations inscribed with delicate hand-embroidered or printed symbols and details. Natalie presents her collections at London and Paris Fashion Weeks. In addition to owning and running a successful label Natalie is also a fashion lecturer at the National College of Art & Design, Dublin.