Professor Sarah Glennie ∙ Director

NCAD WORKS 2024 provides a portal to the full breadth of work by our extraordinary graduates from across our four schools of Fine Art, Design, Education, and Visual Culture and encompasses students graduating from our broad range of undergraduate, postgraduate, and CEAD programmes. 

Collectively, our graduates represent Ireland’s creative future, and they each hold great potential to play a dynamic and impactful role in the Ireland we face right now. As you will see from this work, our students want to fuel change in a creative and productive way, from how we design our public services to the way we see each other. 

They are emerging into their professional careers at an exciting time as new opportunities emerge in Ireland for creative graduates. The creative sector is one of the fastest growing in the global economy. Ireland’s creative graduates drive our creative and cultural sectors, which currently contribute 3.7% of Gross Added Value to the economy, with room to grow even more.

Our students are fully engaged with the world beyond the NCAD campus, and they continue to demonstrate their ambition and commitment to make work that has impact and meaning to us all in many different ways. The big challenges that face society can be traced across our graduates' work as they apply their creativity to bringing new solutions, critical thinking, and reflection onto issues including sustainability, gender identity and equality, wellbeing, new technologies, and our digital and material futures.  

An education at NCAD is the starting point for generations of bold and curious minds that have made an enormous contribution to society in many different ways. We are confident that this generation is set to continue this extraordinary legacy as they leave us equipped with the imagination, creativity, and critical thinking that will ensure that they make an impact in whatever path they follow. 

So, on behalf of An Bord and all my colleagues at NCAD – congratulations to all our graduating students; we are extremely proud of all that you have achieved, and we look forward to following your creative journeys in the future.

Thomas St Campus

100 Thomas Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

BA Fashion
BA Jewellery & Objects
BA Textile & Surface Design
Joint (Hons) Education Design or Fine Art
BA Graphic Design
BA Illustration
BA Moving Image Design
BA Interaction Design
BA Product Design
Applied Materials
Media
Painting
Print
Sculpture & Expanded Practice
MA Design for Body & Environment
MA Communication Design
MA Interaction Design
MSC Medical Device Design
Prof Dip Service Design
BA Visual Culture

The Annex

102–3 James’ Street
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

MFA in Fine Art
MFA Art in the Contemporary World

Grace Gifford House

John St W
Directions

7–15 June

Fri 7 June 10am–8pm
Sat 8 June 10am–5pm
Sun 9 June 10am–5pm
Mon 10 June 10am–8pm
Tue 11 June 10am–8pm
Wed 12 June 10am–8pm
Thu 13 June 10am–8pm
Fri 14 June 10am–8pm
Sat 15 June 10am–5pm

Courses on show:

Media

OBJECTivity- an exploration of storytelling and discovery through the making of artefacts: A discussion with graduating artist Conor O'Connell and Prof. Brendan O'Neill, Professor in Experimental Archaeology and Material Culture School of Archaeology, UCD.

At this event, Fine Art Painting graduate Conor O'Connell will discuss his experiences as a practitioner of weird and wonderful skills such as casting bronze age weaponry and taxidermy. The talk will be followed by a brief tour of his NCAD Works exhibition, 'Organisation'.

.
Connor O'Connell describes how he approaches his practice through a deep-rooted connection to landscapes and their associated objects provides an immense source of fascination. Perhaps this is because objects hold a residual energy and appear primarily as ‘evidence’; tangible links to something just out of reach; be it preservation of nature or our distant, sometimes enigmatic prehistoric past. In his graduate show, ‘Organisation’ , he explores themes of collecting, making and curating. Inspiration is taken from both the ‘cabinets of curiosities’ (collecting for the sake of collecting) and the meticulously catalogued and ordered museum collections of today. Assemblage pieces which juxtapose very different objects, both man-made and natural, modern and ancient provide a range of new subject matter. These objects exist in dialogue with one another, inviting conversation and reflection on our perceptions and understanding of the world. Although primarily a painter, O'Connell is also very interested in heritage practices and skills for their enduring relevance in a contemporary context. The majority of the objects on display and depicted in his painted works have been constructed. It is this process in itself that is personally of great significance. Through this work, he feels in touch with something ancient and venerated.

.

In-Person Event Fine Art Painting Department, 3rd Floor Granary Building.

This event will be uploaded to YouTube on Saturday 15th June LINK

.

Image: Forged swords, 2024, Connor O'Connell.


14 Jun / 3:00 PM
Duration: 60 minutes

In-Person Event Fine Art Painting Department, 3rd Floor Granary Building.